Born
in Milan in 1949, currently lives and works in Anghiari (Arezzo). After the diploma of artistic maturity is dedicated exclusively to lutherie under the guidance of his uncle Carlo Raspagni, maker in Vignate (I).
In 1976, in Milan, starts its activities dedicated to testing and construction of various instruments to pinch, both popular classics, their repair and restoration.
Since 1983 dedicated exclusively to classical guitar with particular attention to new needs and environmental noise thereof.
He received a good international success thanks appreciation of world-famous guitarists. Must particular gratitude to Angelo Gilardino, for having started to research and Pepe Romero, for support in its development.
His considerable production allows a wide range of experimentation that would validate his personal research acoustics. This results mainly three models adaptable to different needs music: guitars with the case in rosewood, maple and tools meet the individual needs of the guitarist, all with tables in Italian spruce, which he preferred for its quality timbre, and Canadian cedar.
He transferred the Tuscan hills, surrounded by enchanting medieval countries to work in contact echo of voices of the forest and recreate a climate of work done creativity and even serenity.
Apply a particular care to choice and woodworking, sharing the thought of Michelangelo "non ha l'ottimo artista alcun concetto/ che un marmo solo in se non circoscriva col suo soverchio e solo a quello arriva/ la mano che ubbidisce all'intelletto ".
A good guitar is already in the wood you choose, to make it arise in the life of music is a fascinating task.
The
guitar is built with double sides and a very robust fund to enter vibration as
little as possible and download all the energy to the soundboard that is the
part that vibrates and produces better sound, the internal sid is made up of a
marine in three layers 1.3 mm thick. 
